By Elysa Gardner, USA TODAY
From the opening hit single On the Floor onward, Love? is long on thumping dance tracks that cast Jennifer Lopez in various familiar roles: the siren, the loyal nurturer, the hopeless romantic, the prisoner of love.
By Warrick Saint
Jennifer Lopez's Love? serves up assembly-line songs.
By Warrick Saint
Jennifer Lopez's Love? serves up assembly-line songs.
Jennifer Lopez, Love?
* * POP
Like Paula Abdul before her, Jennifer Lopez was an ironic pick for American Idol judge. Neither woman has much technical ability as a singer, but both have, in their best singles, shown a homegirl-next-door pluck and a less-is-more canniness antithetical to the kind of vocal showboating that Idol regularly champions. So it's disappointing to report that Lopez's new album suffers from such a lack of personality.
From the opening hit single On the Floor onward, Love? is long on thumping dance tracks that cast Lopez in various familiar roles: the siren, the loyal nurturer, the hopeless romantic, the prisoner of love. Predictably, an A-list of collaborators is on board, including Tricky Stewart, The-Dream, Stargate and even Lady Gaga (a contributing writer and producer). But their electronically fueled tunes are generally as anonymous as the vocals.
Every now and then, glimmers of the street-wise spirit and cool sensuality that could make Lopez appealing as a pop star ? and an actress ? surface. But more often than not, Love? suggests passion less than product, each song bouncing surely down the assembly line ? yet another item in the impressively efficient and resurgent brand that is J. Lo Inc. ? Elysa Gardner
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